>>25257
>>25250

If you use my Prompt post videos here in thread:

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.

integrated_multimodal_description: [Shot 1] A woman with big heavy breasts and innie pussy stands in front of the camera exactly as established by <Picture 1>. The target video begins exactly from <Picture 1> and preserves every unstated visible property from it. First-person POV from the man's eyes continues in a GoPro style. She has continuous idle nervous movements: small restless shifts of her shoulders, rapid shallow breathing and brief involuntary twitches of her hands. Until the first cut she makes no scream; her mouth stays closed except ordinary breath. The camera pushes forward toward the girl while remaining at the exact same eye-level height as the starting POV, never dropping downward; the viewpoint stays locked at the height of the man's face. The man's two hands enter the frame from below: the left hand empty, the right hand gripping a knife. The left hand firmly grabs her right breast. The right hand then delivers the first cutting stroke into the base of the breast, the blade sinking into the soft tissue as thick viscous bright-red blood immediately erupts in active jets and sprays. At that same instant she parts her lips and starts screaming, the scream beginning exactly with the first cut, not before. Without pause the hand draws back and delivers the second cutting stroke, driving the knife deeper into the breast so most of the blade becomes hidden inside the flesh while more blood and translucent fluid gush out. A third forceful cutting motion pushes the blade completely through the breast until the tip emerges on the opposite side, leaving a continuous bloody cut. On the final cutting movement the last connecting strands of tissue, fat and vessels are severed; the breast fully separates from the body and remains gripped in the man's left hand, the raw underside of the detached breast glistening with blood, severed vessels and yellowish fat. From the open wound on her chest thick viscous blood actively sprays and pours in heavy continuous streams, exposing dark-red muscle, torn tissue and pumping vessels. Throughout the cutting the woman actively resists with her whole body: she twists her torso, pulls backward, tries to wrench herself free, shifts her weight and struggles with her legs while also pushing and clawing at the man's arms with both hands; after that first-cut scream she keeps screaming, moaning and crying with wet sobs and heavy panicked breathing, mouth open on the cries and closing only in the short gaps between them. The moment the breast is fully separated she immediately tries to cover the open chest wound with both hands, pressing against the spraying blood while continuing to cry, tremble and twist her body. After that, still at the same eye-level height, the camera pulls out a little until her head and torso down to the knees are in frame, and holds through the final frame. The GoPro-style POV keeps only small head-cam bounce tied to his body and never drops below the original head height. Each cutting stroke produces one short dense flesh slice with a rounded body and fast decay, the deeper pass a continuous damped flesh drag, and the final separation a short fibrous tear, then damps. Blood sprays are brief fluid bursts bound to the opening. Her first scream is locked to the first cut; later screams and sobs stay bound to the following cuts rather than holding one unbroken closed-mouth drone.

overall_soundscape: Ordinary camera-distance production sound with comfortable headroom and a short natural room reflection. Low room tone continues underneath. Until the first cut only her shallow breathing is heard. Her scream starts at the first cut and her later screams and sobs lead during the rest of the cutting, with the damped flesh slices, the brief blood sprays, and the strain of her struggle beneath them. No score.

non_diegetic_music: N/A