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    Been having this idea in my head about meat girls forced to work in the meat girl processing plant, packaging cuts of girl meat. Before they too get slaughtered.

    Prompt for krea 2:
    high detail anime style. Several young women workers stand side by side at a packing station in a cold, grimy meat packing plant. Their bare hands press raw cuts of meat into clear plastic packaging trays, sealing and stacking them on a steel table, while their shoulders sag with exhaustion. Stacks of finished packages sit along the counter, and in the background hang headless, naked, blood-slicked female carcasses from steel hooks. They are a visibly diverse crew — different races and ethnicities, a wide range of body types from petite and wiry to tall, broad-shouldered, soft-bellied and curvy, varied heights and ages, and a spread of hairstyles: long and damp, cropped short, tightly braided, coiled, and knotted back. They are completely naked except for plain collars buckled around their necks, each collar carrying a small white name tag with tiny, slightly blurred text. They are tired, sweaty, and filthy, with smudged faces and bare skin streaked with blood, grease and grime. Their expressions split between two moods: some women cry openly, tears cutting pale clean tracks through the grime on their cheeks, faces crumpled and glistening with quiet sobs, while others stare blankly down with hollow, thousand-yard stares, mouths slack, eyes dead and drained. Harsh fluorescent lights cast flat, bluish-white light over wet tiled floors, rust-streaked walls, and humid, steam-filled air. The mood is raw, honest, and unglamorous, with a muted, cold color palette, candid unposed framing, and a shallow depth of field centered on the women. photorealistic. blood and gore
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    Marvelous pair of images. You did well with getting different hair colors and styles and the slaughterhouse I'd like to see African and Asians on the processing lines. What AI system are you using? I'm having difficulty in getting human carcasses in the backgrounds

    >>30149
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    this is made using Kroma check point running locally using comfy ui
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    >>30149
    nice - used a similar prompt for my old ML-account... more breast- focused ;-)
    with perchance+upscale
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    >>30253
    ... and just tried a slightly adjusted version of your prompt with perchance
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    nice one
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    File: Abort 07.jpg
    (764 KB, 1536x2048) ▶
    782805
    here is a new one.
    This is what happens if a pregnant girl get processed
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    >>30321
    Prompt:
    Gory highly detailed anime style, medium-wide eye-level shot in a grimy old-school butcher's shop: on the right, a beautiful naked woman with huge lactating breasts, suspended upright, hanging from two thick steel meat hooks driven through the flesh of her upper shoulders, her body dangling and stretched, toes just brushing the floor. Both arms are cleanly amputated at the shoulder, leaving ragged bloody stumps with pale bone, fat and muscle cross-section visible, dark red blood running down her sides and dripping from the wounds. On the left, A grinning, burly butcher in a blood-stained apron and rolled sleeves stands close in front of her, one hand pressing her hanging belly flat, the other driving a heavy butcher's knife deep into her pregnant belly, mid-slice, the split already opened wide from navel to pubis. Her belly gapes in a raw ragged wound — fat, muscle and the opened uterus visible, with a squirming blood-slicked fetus spilling out toward the tiled floor. Thick red blood pours and pools beneath them, splattered across her thighs, breasts, neck and face, running in streaks down her legs and across the floor. The woman is arched and writhing on the hooks, head thrown back, eyes wide and mouth stretched in a full-throated scream of shock, jaw trembling, sweat and blood on her cheeks. The butcher's grin is wide and toothy, eyes crinkled, unbothered, apron soaked. Background: rows of headless female torsos with split-open stomachs hanging from steel meat hooks on a rail, ribs and viscera exposed, swaying slightly, along with hanging cleavers, a band saw, hanging scales and stainless steel counters. Harsh overhead industrial butcher lighting, cold and clinical, mixing with a warm rim light; deep shadows, wet specular highlights on blood, guts and steel. hyper-detailed, 8K.
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    File: butcher 23.png
    (4.09 MB, 1536x2048) ▶
    4289699
    this file contains the workflow. Just drag and drop into comfy ui
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    >>30254
    Inspired by the post:
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    >>30346
    Prompt:

    Gory highly detailed phot, wide eye-level shot in a stark industrial food-processing plant: a row of four naked women of clearly varied age, ethnicity, build and coloring kneeling in a line, torsos leaned forward over a long moving conveyor belt, arms behind back, crying in pain. The line runs from a young slim East Asian woman with long black hair, to a Black woman with close-cropped hair, a pale redhead with freckled shoulders and a soft belly, and a tall lean young woman with blonde hair pulled into a bun. Their body types range from athletic and flat-chested to full-figured and heavy, their skin tones spanning deep brown to pale porcelain, with assorted body hair, moles, scars and stretch marks. All of their breasts are completely severed, two large concave raw bloody elliptical wounds on each chest with flesh removed, ragged fat and muscle, dark red blood running in streaks down their bellies and dripping onto the belt and floor. Their bare chests and slick skins are smeared with blood and sweat. Directly in front of them, carried along the conveyor belt, are several pairs of freshly severed bloody breasts of various sizes — small and perky, large and heavy, pale and dark, freckled and tattooed — glossy and still steaming, spaced out at intervals along the moving belt, one sliding off the edge, blood pooling in a wide slick and running in rivulets across the rubber and steel rollers and dripping off the belt's edge onto the tiled floor. Behind the kneeling women stands the man — a burly worker in a heavily blood-stained apron and rolled sleeves, grinning ear to ear, relaxed and proud, one hand holding a big bloody meat cleaver, blade wet and smeared with gore. Harsh cold overhead fluorescent strip lighting, clinical and unflattering, with wet specular highlights on the blood, flesh and steel blade. ultra-crisp skin and wet meat textures with detailed linework and dramatic shading, desaturated green-grey industrial palette with punchy red saturation, faint steam, grime and hanging plastic sheeting, tiled walls and conveyor machinery in the background, 1/500s freeze-frame motion, hyper-detailed, 8K
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    >>30347
    fucking brilliant!!!!
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    >>30347
    LOve the fact that you got some ethnic diversity into the picture. Instead of a gaping hole, do you think that you can get the AI to cut cut closer to the torso such that some of the pectoral is included on the breast meat and the ribs would be shpwing?

    Do you think that you can add some female butcher staff and mix some males into the havest line alongside the meatgirls?

    Thank you for sharing your artwork
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    >>30414
    That was my original idea, but the ai model have issues with making the chest wounds as flat and showing ribs.
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    >>30414
    Prompt:

    Gory highly detailed anime style, wide eye-level shot in a stark industrial food-processing plant: a row of four naked men of clearly varied age, ethnicity, build and coloring kneeling in a line, torsos leaned forward over a long moving conveyor belt, arms behind back, crying in pain. The line runs from a young slim East Asian man with black hair, to a Black man with close-cropped hair, a pale redhead young man with freckled shoulders, and a tall lean young man with blonde hair . Their body types range from skinny, athletic to full-figured and heavy, their skin tones spanning deep brown to pale porcelain, with assorted body hair, moles, scars and stretch marks. All of their penis and testicles are completely severed, large raw bloody wounds on each crotch with flesh removed, dark red blood running in streaks down their crotch and dripping onto the belt and floor. Their bare waist and slick skins are smeared with blood and sweat. Directly in front of them, carried along the conveyor belt, are several freshly severed penis and testicles of various sizes — small , medium, large spaced out at intervals along the moving belt, one sliding off the edge, blood pooling in a wide slick and running in rivulets across the rubber and steel rollers and dripping off the belt's edge onto the tiled floor. Behind the kneeling men stands a beautiful woman — a sexy worker in a heavily blood-stained apron and rolled sleeves, grinning ear to ear, relaxed and proud, one hand holding a big bloody shears, blade wet and smeared with gore. Harsh cold overhead fluorescent strip lighting, clinical and unflattering, with wet specular highlights on the blood, flesh and steel blade. desaturated green-grey industrial grading with punchy red saturation, faint steam, grime and hanging plastic sheeting, tiled walls and conveyor machinery in the background, hyper-detailed, 8K
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    Cindy is almost relieved when the supervisor tell her that this is her last day as a temp worker. the depressing monotony have been too much. Everyday she mops the blood and other bodily fluids of the slaughtered women.
    Tonight she will server as sexual relief for the processing plant workers and tomorrow morning she will get slaughtered and join the hanging headless torsos.
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    >>30435
    Prompt:
    Highly detailed anime style, cel-shaded illustration with crisp linework. A naked young woman with large breasts, only wearing a slave collar with name tag "TEMP WORKER", mops a wet bloody tiled floor in a butcher shop. Her hair is pulled back under a hairnet, strands loose and damp with sweat, and her face is pale and drawn, with heavy eyes and a flat, distant expression. She grips the mop handle with both hands, her shoulders slumped and her posture weary. Behind her, bloody naked headless women torsos with bloody exposed necks, breasts and pussy, hang from steel hooks on a rail. Cool fluorescent light reflects off glossy tiles and a pale puddle of soapy water, with rust-streaked walls in the background. The palette is muted and cool, with desaturated blues, greys, and pale skin tones. The mood is quiet, melancholic, and introspective, with the woman centered in sharp focus and a gently blurred background. pussy
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    >>30434
    Insanely sexy.
    Would love to be standing right behind that lineup.
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    Prompt:
    Highly detailed color comic book illustration, full-page splash panel, heavy graphic-novel inking. Inside a grimy old-fashioned butcher shop — tiled walls smeared with old blood, hanging steel hooks, sawdust on the floor, a heavy wooden chopping block, gutters running red, harsh overhead fluorescent light. Center stage: a burly grinning man in a stained white undershirt and a thick, blood-soaked leather butcher's apron, forearms slick and glistening with gore, hair plastered to his forehead. He leans over a naked woman kneeling on the blood-pooled tile floor, one hand fisted in her hair yanking her head back to expose the throat, the other dragging a long curved butcher's knife slowly across the front of her neck. The wound is a deep, wide gaping slash from ear to ear, flesh parted and the cut edge of the muscle visible inside, and a thick hard jet of bright arterial blood is spurting in an arcing stream from the severed vessel, spraying across the butcher's apron and forearms and splashing onto the floor. Blood already sheets down her collarbone and between her breasts. Her mouth is wide open mid-scream, eyes squeezed shut, head wrenched back, throat cords straining and stretched taut around the cut. Her wrists are bound tight behind her back and her ankles lashed together, coarse rope dark with blood, knees splayed on the wet floor. Around them in the blurred background, three other naked women kneel in a ragged row — terrified, wide-eyed, trembling, all bound at the wrists, of visibly different ethnicities, skin tones ranging from pale to deep brown to olive — watching with horror, some flinching, a few with fine blood spatter across their bare skin. Bodies, hooks, and hanging bloody naked headless women torsos recede into shallow-focus bokeh behind them. Eye-level, slightly low to make the butcher loom. Rich desaturated color grade, crushed reds, cold green-tinted light, heavy micro-detail on wet skin, blood rivulets, apron stains, rope fibers and steel. Grim, visceral, documentary horror, natural unretouched anatomy.
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    Prompt:
    Highly detailed comic book illustration, full-page splash panel, heavy graphic-novel inking. A butcher shop kill-floor rendered in obsessive background detail — cracked tiled walls caked in old blood, grimy grout, sawdust and pooled blood on the floor, gutters, steel rails and chains, dangling hooks, offal on a scored wooden block. Overhead, a heavy steel rail runs across the panel, and from it hang three headless naked female torsos by thick steel meat hooks. The bodies are limp, breasts and slick with blood running down the bellies in thick drawn rivulets, the necks ending in raw jagged cross-sections of red flesh, blood still beading and dripping in long strings to the floor. The three torsos are deliberately and clearly different ethnicities — pale freckled skin, deep brown skin, tan skin — each inked with a different line and hatching treatment, each with a distinct body type and hair texture on the shoulder, hanging at slightly different heights and angles so the row reads as a trio. In the foreground, a long stainless steel table sits beneath them, cold and reflective, streaked with blood and smeared with the reflections of the hanging bodies. On it, laid in a neat row, are three severed heads belonging to the same three women — matching skin tones and hair, resting with faces turned toward the camera. All three have eyes closed and serene, peaceful expressions, brows relaxed, mouths softly shut, blood pooled around the neck stumps, dark hair fanned out on the steel. The brutal hanging corpses and the calm sleeping faces create a stark contrast. Art style: bold clean black ink outlines of varying weight, dense cross-hatching and hatching for shadow, halftone dot shading and Ben-Day dots on lit skin, flat cel-shaded color blocking, high-contrast chiaroscuro with a cold fluorescent overhead source and a hard raking rim light, limited desaturated palette of blood red, grey steel, sickly green and bone white, deep shadow shapes behind the hanging bodies, graphic blood drip shapes, visible ink texture and rough paper grain, the whole panel packed with linework and no empty space. Grim, eerie, cinematic panel composition.
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    Wow! All these prompts are gold! Thank you!
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    new one today.
    Prompt:
    highly detailed graphic novel illustration of a meat processing plant. Three naked women are hanging upside down, suspended above the floor from steel shackles clamped around their ankles, shackles chained to an overhead rail. All three hang head-down, their heads, breasts and loose hair dangling toward the ground, their feet pointing up. All three have their arms bound behind their backs. The women are different from each other: a slim East Asian woman on the left, a curvy Black woman in the middle, a average-build pale redhead on the right. A grinning man in a blood-soaked apron stands beside the leftmost hanging woman, who is upside down and screaming, and drives a vertical incision down her abdomen, pulling out her intestines. The other two upside-down women look at the butchering in wide-eyed terror, helpless and trembling. Wet viscera, raw meat, deep crimson. pussy
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    Prompt:
    Highly detailed graphic novel Illustration of a meat processing plant floor. Three naked women are kneeling on the concrete floor, all bound and helpless, all down on their knees with their calves flat against the ground and their backs straight. All three have hair in bun and their arms pulled behind their backs and tied tight at the wrists and elbows with coarse rope, shoulders wrenched back. The women are different from each other: a busty blonde with big breasts on the left, a normal-built brunette in the middle, a slim petite Asian on the right. A man stands on the left behind the kneeling blonde, revving a chainsaw horizontally and pushing the spinning horizontal blade from left side of her bloody neck to the right — her neck is half-severed, skin torn open, blood spraying in an arc across the floor and across the other women. The kneeling blonde is screaming with her mouth wide open. The other two kneeling women stare at her in horror, faces crumpled and streaked with tears, shoulders shaking, bodies trembling. All three are pissing themselves in fear: a yellow stream runs down the blonde's thigh and wet dark puddles of urine spread on the floor between the knees of all three women. Rope, horizontal chainsaw, blood, tears, urine, wet concrete, tiled walls, pile of bloody severed women heads of various hair color in the background, Heavy micro-detail, natural unretouched anatomy.
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    Prompt:

    Highly detailed graphic novel illustration of a meat processing plant floor, seen from a low angle at the head end. Three separate steel tables stand side by side with visible legs and gaps between them. Three naked women lie flat on their backs, one on each table, all head-first toward the camera with their heads and necks hanging over the near edge of their tables. All three are bound and helpless, hair in a bun, thick leather straps buckled over their chests, wrists, arms, waists, elbows, thighs and ankles. The women are different: a busty blonde with big breasts on the left table, a normal-built brunette on the middle table, a slim petite Asian on the right table. A man stands in front of the left table, revving a chainsaw and pushing the spinning blade into the blonde's bloody neck — her neck is half-severed, skin torn open, blood spraying across the steel and floor. The blonde screams with her mouth wide open. The brunette and the Asian have turned their heads sideways toward the blonde — faces in profile, cheeks pressed against the steel, eyes locked on her — staring in horror, faces crumpled and streaked with tears. Straps, chainsaw, blood, tears, steel tables, tiled walls, pile of bloody severed women's heads of various hair color in hair bun in the background, heavy micro-detail, natural unretouched anatomy

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