Christina Towley (17, blonde and pink-dyed hair, 5'4"), Heather Frank (21, light brown hair, 5' 6"), Bridget Fowler (20, dirty blonde hair, 5'2"), and Audrey Douglass (19, dark brown hair, 5' 5") sit in chairs next to each other on stage. Dr. R already introduced the subject of strangulation, but today he is explaining different types of strangulation.

"We have already seen most of these in action, but I want to take you through each one so we can see them side by side. For this presentation, I want them all to be killed simultaneously, and then afterwards we will go through the wounds one by one."

Dr. R chooses me to demonstrate the new form of strangulation that we will be leading about--the chokehold--on Christina. Once everyone is set up, we begin. Dr. R slips a noose around Heather's neck and hoists her up into the air; Giselle Bynes, another volunteer, uses an extension cord to seal off Bridget's windpipe; and Cody Towers begins manually strangling Audrey.

For a second I take in the sights and sounds. Heather, her own weight keeping the rope tight around her throat, is silently convulsing in mid-air; the only sound is the creak of the rope and her spasms increase in intensity. Bridget is making a low groan in the back of her throat, and her fingertips claw at the cord digging into her skin. Audrey's twitches and her eyes grow wider as crunches come from her thin neck under Cody's firm grip.

I move my focus from my classmates to the girl in front of me. I move behind her, and place my right arm around her chest. Then, I let it move up under her jaw, until the crook of my elbow begins tightening around her neck. Both of her hands reach up to my arm, and as I begin putting more pressure on her neck, she begins trying to pull it away. My right wrist sits comfortably in the crook of my left arm, and I hook my left hand around behind her head.

Her hair is short and soft and feels nice between my fingers. The left side of her head is partially shaved, so I can see a bit of her face. Her eyes are moving rapidly, and she is beginning to hyperventilate. I put more strength into the chokehold, and her breaths stop. I can feel her chest trembling beneath her loose t-shirt, as she tries to fill her lungs. My head is inches from hers, and I can smell her perfume.

It only takes a few seconds before I feel her strength declining. Her small frame is trembling, and I can see her eyelids drooping. The throb I could feel in her neck from her pulsing heart begins weakening. Her back arches off the back of the chair, and I can see all her toned muscles working to save her life. Her head stretches back until she is looking up toward me, but her blue eyes are glassy and vacant. Her mouth is open, and I can the her tongue piercing moving. However, as her final effort for air wanes, she falls completely still. Her body goes limp, and I watch a wet spot on her light blue jeans appear between her legs she loses continence. Her arms drop to her sides, and I loosen my grip on her. I move to her side, place my ear to her chest and listen for any signs of breaths or a heartbeat. I hear none.

It is only now that I look around. Dr. R is currently letting Heather's body down. Giselle still has the cord wrapped tight around Bridget's neck, but the light has left her eyes and her body is just as still as Christina's. Further down, Audrey is now spread eagle on the ground, her hands palm up next to her head, with Cody standing over her surveying his handiwork.

"We see here," Dr. R begins with Heather, "ligature marks." He indicates dark red marks around her neck. "We know, however, that these are from hanging because of the angle of the lines. The ligature marks reflect that the weight of the body is what causes the strangulation."

He moves on to Bridget. "You can see that these ligature marks are straight across her neck because they were caused by another individual tightening it around her throat," Dr. R explains as he stretches her neck back. "Also, note how a rope and extension cord leave different marks. A murder can often be solved because the ligature mark is a copy of what was used to strangle the victim."

He gets Cody to help him get Audrey back into the chair so that the whole class can see. "With Audrey," He explains, "We can see hand prints on her neck. This is important to notice, because, if the murderer did not use gloves, fingerprints may be able to be taken off her skin."

Finally Dr. R moves on to my victim. "You all have probably seen a chokehold before. You can see large bruises around the sides of the neck. It is a very effective way to cut off blood flow and air flow."

Class is dismissed, and I grab a body bag and pack up Christina's body to take home with me. Once home, I unzip the bag. Her face, ever so slightly swollen, stares up at me. Her eyes are now more of a pale grey and dry. Her skin is cool and pale, but once she is out of the bag and laying on my bed, she looks almost alive. I unzip her urine-stained jeans and pull them off with her panties. I position myself between her legs, and feel her cool, dry vulva. She can't get wet, but I know with a little bit of lubrication, her tight vagina will be easy to penetrate.

First, however, I roll her over and pull her head up between my legs. I pull out my cock and press it into her mouth. Her mouth is cool but still soft. Her limp tongue is easily pushed out of the way as I press head head all the way down over me. I get a good grip in her hair and begin moving her heavy head up and down in rhythm; I can feel the round steel stud in her tongue moving up and down my cock.

Finally, I roll her back over. I lube her and myself up and slide into her. There is a slight squelch as I force myself in, but otherwise, her body is silent. One hand runs up under her shirt, and the other holds the back of her neck. I kiss her cold, blue lips, then look into her pale, expressionless face as I come. My hand moves back down her abdomen, and I feel something that surprises me: a bellybutton.

TO BE CONTINUED...